<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>The Count of Monte Cristo on Tsukioka Sadao's Blog</title><link>https://sadao-tsukioka.com/en/tags/the-count-of-monte-cristo/</link><description>Recent content in The Count of Monte Cristo on Tsukioka Sadao's Blog</description><generator>Hugo -- 0.155.3</generator><language>en-US</language><lastBuildDate>Mon, 14 Sep 2026 00:00:00 +0900</lastBuildDate><atom:link href="https://sadao-tsukioka.com/en/tags/the-count-of-monte-cristo/index.xml" rel="self" type="application/rss+xml"/><item><title>The Template for Ensemble Drama</title><link>https://sadao-tsukioka.com/en/posts/ensemble-template/</link><pubDate>Mon, 14 Sep 2026 00:00:00 +0900</pubDate><guid>https://sadao-tsukioka.com/en/posts/ensemble-template/</guid><description>&lt;p&gt;Now, when it comes to ensemble drama, the first thing that springs to mind is that masterpiece of the Hashimoto–Kurosawa pairing, &amp;ldquo;Seven Samurai.&amp;rdquo; The individuality of all seven was drawn without a scrap left over. A human quality unlike anything fabricated, the kind you might find anywhere in the real world, comes pouring out of it. Reality was the window through which empathy entered.&lt;/p&gt;
&lt;h2 id="there-were-two-miyamoto-musashis-in-seven-samurai"&gt;There Were Two Miyamoto Musashis in &amp;ldquo;Seven Samurai&amp;rdquo;&lt;/h2&gt;
&lt;p&gt;&lt;img alt="The seven of &amp;ldquo;Seven Samurai&amp;rdquo; — sketch by Tsukioka Sadao" loading="lazy" src="https://sadao-tsukioka.com/images/seven-samurai.png"&gt;&lt;/p&gt;</description></item></channel></rss>