<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Experimental Film on Tsukioka Sadao's Blog</title><link>https://sadao-tsukioka.com/en/tags/experimental-film/</link><description>Recent content in Experimental Film on Tsukioka Sadao's Blog</description><generator>Hugo -- 0.155.3</generator><language>en-US</language><lastBuildDate>Fri, 05 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://sadao-tsukioka.com/en/tags/experimental-film/index.xml" rel="self" type="application/rss+xml"/><item><title>The Era of Experimental Film</title><link>https://sadao-tsukioka.com/en/posts/experimental-film/</link><pubDate>Fri, 05 Jun 2026 00:00:00 +0000</pubDate><guid>https://sadao-tsukioka.com/en/posts/experimental-film/</guid><description>&lt;p&gt;There is a small reason why I chose &amp;ldquo;experimental film&amp;rdquo; as the title this time. The name &amp;ldquo;experimental film&amp;rdquo; turns up often in the curricula and study groups of Chinese universities.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;ve never actually looked into what exactly the term refers to in Chinese universities, but Japan certainly had an age that could be called experimental film, and the animation it left behind had its own influence — so my motive was simply to make it one of my topics.&lt;/p&gt;</description></item></channel></rss>