<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>CM on Tsukioka Sadao's Blog</title><link>https://sadao-tsukioka.com/en/tags/cm/</link><description>Recent content in CM on Tsukioka Sadao's Blog</description><generator>Hugo -- 0.155.3</generator><language>en-US</language><lastBuildDate>Mon, 23 Mar 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://sadao-tsukioka.com/en/tags/cm/index.xml" rel="self" type="application/rss+xml"/><item><title>Reality and Realism</title><link>https://sadao-tsukioka.com/en/posts/reality-and-realism/</link><pubDate>Mon, 23 Mar 2026 00:00:00 +0000</pubDate><guid>https://sadao-tsukioka.com/en/posts/reality-and-realism/</guid><description>&lt;h2 id="verisimilitude"&gt;Verisimilitude&lt;/h2&gt;
&lt;p&gt;These two words are surprisingly often conflated. Not just by young students, but by professionals as well.&lt;/p&gt;
&lt;p&gt;I would like to think about that a little.&lt;/p&gt;
&lt;p&gt;Animation is, above all, a job that involves drawing a great many pictures. Twenty-four per second.&lt;/p&gt;
&lt;p&gt;In the days of film, early animation drew every single one of those frames. One drawing per frame — each one drawn individually.&lt;/p&gt;
&lt;p&gt;Then it was discovered that shooting each drawing for two frames did not greatly alter the movement.&lt;/p&gt;</description></item></channel></rss>